“My first childhood memories connect to my father’s unusual theatrical adventures: in 1950, months after my birth, he bought an old barge with friends and transformed it into ‘Le Théâtre Flottant’ – ‘The Floating Theatre.’ This ship travelled up and down the rivers of Belgium and France, stopping at towns along the banks for a few days at a time. They performed, for local audiences, plays that this small band of idealistic young writers and actors had written.
In time, the theatre barge began towing another that now provided a living space for the group. Accommodation was necessarily cramped: my first memories were thus of spinach being drained by my mother into a tiny kitchen sink. There was also a playpen on the ship’s roof, where I would (at times reluctantly) share the square metre or so with Marianne, the daughter of another actor. Hence also a memory of a world constantly on the move: while the barge was slowly but surely pulled along this or that river, landscapes slowly unfolded as I played or quarrelled with Marianne in our pen.
Did this give me a later urge to travel and explore? Perhaps.”